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4 beats per chord
` = 2 beats
Double-Drop-D tuning DADGBD

INTRO:
Gm*  Bb/F  Cm(9)  D

VERSE-A:
Gm*
thinking 'bout the times I know I should have taken
Bb/F
photographs something to re-
Cm(9)                     Bb
ly on sharper than a memo-ry 'cos chemistry dic-
Ebmaj7                               Cm(9)
tates them they're not coloured by e-motion they're coloured by the
D                            D
shades of how things used to be and

VERSE-B:
Gm*
nothing breaks the heart much more than looking at old
Bb/F
photographs when you can taste the
Cm(9)                          Bb
moment and worse still if it's passed they're gone now to the
Ebmaj7                        Cm(9)
future but you still can't de-ny them like a song that's
`D  `Gm|D5  D
 sung         re-

PRE-CHORUS:
Ebmaj7         Gsus2       Ebmaj7                 Gsus2
gret is like a filter that colours all of your en-deavours and
`Cm(9)                `Bb                      Ebmaj7  Ebmaj7
 once put on becomes a feature of your current works     what I

CHORUS-A:
`Cm(9)  `Gm  F
 fear__________ is that
`Ebmaj7*              `Bb*               `Gm
 all of these things I hold dear never be-__come more than vi-
F                                        (----- 2/4 bar -----)
brations in air what I

CHORUS-B:
`Cm(9)  `Gm  F
 fear__________ is that
`Ebmaj7*              `Bb*                Gm
 all of these things I hold dear never be-__come more than vibrations in air__
Bb/F  Ebmaj7         Ebmaj7
__ vi-brations in air

VERSE-C:
Gm                                          F
voices in the air they echo in my head like radios scratchy frequen-
Cm(9)                      Bb
cies and static in between words they're all on the
Ebmaj7                     Cm(9)
wind now but I bet I never told you I missed you when you were
`D  `Gm|D5  D7
 gone         re-

PRE-CHORUS-LONG:
Ebmaj7         Gsus2       Ebmaj7                 Gsus2
gret is like a filter that colours all of your en-deavours and
`Cm(9)                `Bb                      Ebmaj7
 once put on becomes a feature of your current works you've
`Cm(9)                  `Dm                         Ebmaj7  Ebmaj7
 gotta change your focus turn your eye to something else______ what I

CHORUS-A:
`Cm(9)  `Gm  F
 fear__________ is that
`Ebmaj7*              `Bb*               `Gm
 all of these things I hold dear never be-__come more than vi-
F                                        (----- 2/4 bar -----)
brations in air what I

CHORUS-A:
`Cm(9)  `Gm  F
 fear__________ is that
`Ebmaj7*              `Bb*               `Gm
 all of these things I hold dear never be-__come more than vi-
F                                        (----- 2/4 bar -----)
brations in air what I

CHORUS-C:
`Ebmaj7*  `Bb*  `Gm  F  F
 fear_____________________ is that
                 (2/4)
`Ebmaj7*              `Bb*                Gm
 all of these things I hold dear never be-__come more than vibrations in air__
Bb/F  Cm(9)          Bb   Ebmaj7         Cm(9)  D
__ vi-brations in air  vi-brations in air

================================================================================

TUNING:         6 5 4 3 2 1
Double-Drop-D   D A D G B D

Voicings are based on Right-Channel guitar part.
Except for INTRO where R.Ch plays G5 [x 10 12 0 x x] and omits (9) [1st-string]
CHORDS:
    Gm* Bb/F  Cm(9)  D    Bb  Ebmaj7  Gm|D5  Gsus2  Gm  F  Ebmaj7* Bb* Dm   D7
D|-------3-----0-----0----0-----0------0------0-----0--------0-----3---0----0--|
B|-------3-----8-----10---6-----11-----11-----10----3---1----3-----3---10---13-|
G|--7----3-----8-----11---7-----12-----12-----0-----3---2----0-----3---10---14-|
D|--8----3-----.-----0----.-----.------0------0-----.---.----1-----3---.----0--|
A|--10---5-----10----0----8-----13-----0------10----5---3----1-----1---12---0--|
D|-------3-----10----0----8-----13-----0------------5---3----1---------12---0--|

. Barre 4th-5th-6th-strings if possible

Gsus2 and F have a passing chord on Beat-3 (syncopated)

   Gsus2  Gm    Gsus2     F    Fsus2/4 F
   1   2  +  3  +  4      1   2  +  3  +  4 
D|-0------0-----0------||-0-------------------|
B|-10-----11----10-----||-1------------1------|
G|-0------0-----0------||-2------3-----2------|
D|-0------0-----0------||-3------5-----3------|
A|-10-----10----10-----||-3------------3------|
D|---------------------||-3------3-----3------|

STANDARD TUNING
CHORDS:
    Gm  Bb  Cm   D  Ebmaj7  Gm/D  Gsus2  F    Dm  D7
E|--3---6---3----5----6------6------5.6--1----5---8--|
B|--3---6---4.3--7----8------8------3----1----6---10-|
G|--3---7---5----7----7------7------0----2.3--7---11-|
D|--5---8---5----0----8------0------0----3----7---0--|
A|--5---8---3---------6------------------3----5------|
E|--3---6--------------------------------1-----------|

. optional passing notes

CURRENT WORKS EP:
  INTRO is full verse
  D7 lead-in to each PRE-CHORUS
  First CHORUS-A omitted
  PRE-CHORUS-LONG has extra line:
    "turn your eye to something else" is sung/played as per previous phrase
    then "once put on becomes a feature of your current works" is sung high
  Extended ending    D  Gm|D5  D7

WESLEY ANNE RECORDING (live):
  INTRO is full verse
  Gm|D5 in first VERSE
  D7 lead-in to each PRE-CHORUS
  Extra two beats on F in CHORUS-C
  Extended ending    D  Gm|D5  D7